How Did The Odessa Steps Sequence Influence The Theory Of...

Kal Bur How did The Odessa Steps sequence influence the theory of montage in film? The Battleship Potemkin, is a soviet film directed by Sergei Eisenstein in 1925. Sergei Eisenstein was a brief student at The Kuleshov Workshop, which was a class run by Soviet filmmaker, Lev Kuleshov at the Moscow Film School. The school was established in 1919, and is the world’s first film school. The Kuleshov Workshop explored the effects of juxtaposition in film, and how sequential shots convey a specific meaning. Kuleshov and his students analyzed many films for research, and one of them in particular was the most influential film in Russia during 1916, Intolerance directed by D. W. Griffith. A whole year later in 1920, the Kuleshov effect was found, and its theory was to identify how the order of images can change an audience’s perception. ‘Kuleshov discovered that depending on how shots are assembled the audience will attach a specific meaning or emotion to it’ (The Kuleshov Experiment http://www.elementsofcinema.com/editing/kuleshov-effect, 2016). Alfred Hitchcock’s 1960 film Psycho is an example of this trope, as the audience’s comprehension of the shower scene is predominantly psychological, and is determined by the ordering of images and sound, not the actual content. After the success of Sergei Eisenstein’s first full length feature film, Strike in 1920, he was commissioned by the Soviet government to make a film commemorating the historical uprising of the revolution in 1905,Show MoreRelatedClassical Movie Theories And Realism1433 Words   |  6 PagesOption 2 Classical film theories are generally divided into two main camps. They have been categorized as Formalism and Realism. The formalist approach looks at the structure and form of the film. It analyzes the method by which the story materializes and how it forces the viewer to react based on the way it is presented. It incorporates character development, photographic composition, camera movement, set design, editing, etc. to that end. The realist approach scrutinizes how a film represents â€Å"realityRead MoreUnique Characteristics of Soviet Montage5818 Words   |  24 PagesSoviet Montage Unique Characteristics of Soviet Montage Unlike Montage where by a combination  series of short shots are edited into a sequence to condense space, time, and information, Soviet Montage on the other hand is a style of filmmaking that is evolved to immerse the audience in a story and disguise technique was turned upside down in order to create the opposite emotional effect to bring the audience to the edge of their seat, and in the case of the Odessa Steps sequence, to push the viewerRead MoreUnique Characteristics of Soviet Montage5818 Words   |  24 PagesSoviet Montage Unique Characteristics of Soviet Montage Unlike Montage where by a combination  series of short shots are edited into a sequence to condense space, time, and information, Soviet Montage on the other hand is a style of filmmaking that is evolved to immerse the audience in a story and disguise technique was turned upside down in order to create the opposite emotional effect to bring the audience to the edge of their seat, and in the case of the Odessa Steps sequence, to push the viewer